Our website uses cookies to offer a better user experience and we recommend you to accept their use to fully enjoy your navigation. If you want to know more or opt out of all or some cookies, see our Privacy Policy

Amber Chamber

Amber Chamber

This exhibition shows a number of different approaches to amber, running the gamut from artists working with amber for the first time, to those who have been working with it for an extended period. The contrasts in these works should help to update the traditional and still rather one-sided view of amber jewelry, showing new possibilities about this interesting material.

More than something washed ashore

Edmund Spenser once wrote his lover’s name in the sand at the shore, twice, but the waves washed it away. The waves also transform amber, which is soft, warm, and can be white, yellow, brown, black, or skin tone. Amber is an organic substance, sometimes opaque, other times translucent, revealing a glimpse of its interior, with wonderful inclusions of a forgotten time. It can be alluring, electric, and when its contact is desired, it has healing qualities. Spenser’s lover told him that he and his gesture were both vain and for naught, as both she and her name were ephemeral. Spenser responded that his verses would immortalize her virtues and inscribe her name in heaven. While jewelry makers may be forced to work with more mundane materials at their disposal, their works in amber need neither explanation nor interpretation: The effect is immediate. The philosopher Michel Foucault* declared the death of the object as the source and basis of knowledge, freedom, language and history, perceiving a danger that mankind would disappear like footprints in the sand. Spenser reaches a different conclusion: When death overtakes the world, our love lives on, and renews the life that comes after it. This is why jewelry makers work with amber: For a sense of personal happiness, and for the well-being of the living.

Karl Bollmann
*Michel Foucault, Les Mots et les choses. Une archéologie des sciences humaines, 1966, Dits et Écrits, 1994

Featured Artists: Elisabeth Defner, Christiane Förster, Heidemarie Herb, Herman Hermsen, Beate Klockmann, Helfried Kodré, Philip Sajet, Peter Skubic, Gisbert Stach, Petra Zimmermann

Curated by Heidemarie Herb

When: 05/03 - 01/04/2016
Where: Alternatives Gallery - Via della Chiesa Nuova, 10 Roma



Philip Sajet
ring, yellow gold, amber
Beate Klockmann
Earrings, amber
Heidemarie Herb
Rings, 2014, Amber, sterling silver
Christiane Förster
brooche, amber, mother-of-pearl, sterling silver
Gisbert Stach
brooch, Baltic amber, transparent silicone, stainless steel
Elisabeth Defner
pendant, amber, sterling silver
Peter Skubic
brooch, amber, coral, stainless steel
Petra Zimmermann
rings, amber, polymethyl methacrylate, gold
Helfried Kodré
ring, amber, sterling silver, gold, copper
Herman Hermsen
pendant, shark mouth, pearls, amber


More in this category: PAST PRESENT »